In 1987, a concept and a dream by partners Robert Faber and Anna Cordova, became a small startup. Mr. Faber’s electronic engineering and interest in filmmaking coupled with Ms. Cordova’s managerial experience made the FILMLOOK® process a business reality in 1989, a prelude to the era of digital filmmaking.
In 1992 FILMLOOK earned the Academy of Television Arts & Sciences award for outstanding achievement in engineering development. This was a landmark for FILMLOOK’s acceptance into the television entertainment industry.
Since 2001 the licensing and acceptance of Patented 24P Camera Technology by nearly all camera manufacturers opened the floodgates of Digital Filmmaking as well as becoming the industry standard.
There was a better way.
We saw a huge void in the picture finishing landscape and focused our energies on a new business venture and we grew. Before long, producers discovered the time and cost savings of the workflows that we implemented on projects and they began turning to us for assistance.
Why choose FILMLOOK Media and Post? We make videos look like film, we make 24P look better. Over three decades of dedication of the look of film gives us edge. We can make your 24P the best it can be. After all, we invented* it. We liscensed our 24P patent to SONY, PANASONIC, ARRI, PANAVISION, IKEGAMI, THOMSON, HITACHI, CANON, JVC, FUJIFILM, NIKON, PENTAX, CASIO and ICONIX. What does your 24P look like? It looks like film to us.